@Image 1 is the first frame. It defines the opening composition, subject position, pose, prop state, scene, and camera direction.
@Image 2 is the last frame. It defines the ending composition, subject position, pose, prop state, scene, and camera direction.
@Image 3 defines <Subject A>'s appearance, clothing, and material. Do not change the first-frame composition defined by @Image 1 or the last-frame composition defined by @Image 2.
<Subject A> completes <one continuous action or event>.
The video begins naturally from the first frame defined by @Image 1 and reaches the last frame defined by @Image 2 after the continuous action.
Between the first and last frames, maintain continuity in character identity, prop structure and ownership, scene layout, and camera direction.
当一个过程有超过两个有意义的状态时，就把整套状态升格为关键帧。开头写明「按这个顺序把 @Image 1 到 @Image N 用作关键帧」，然后给每张图片一个阶段的可见结束状态。
提示词Seedance 2.5
Use @Image 1 through @Image 4 as keyframes in this order.
@Image 1 is the first frame. It shows an orange paper airplane resting on the left side of a classroom desk, pointed toward the right, in a locked-off medium shot.
@Image 2 defines the second keyframe: one hand lifts the same paper airplane from the desk without changing its direction.
@Image 3 defines the third keyframe: the airplane passes the window while the curtain moves slightly to the right.
@Image 4 is the last frame. It shows the airplane resting on the middle shelf of the bookcase on the right, still pointed toward the right.
The video passes through these states in order, using continuous action to transition naturally between stages.
Maintain continuity in subject identity, prop structure, scene layout, lighting, and axis of action throughout.
@Image 1 provides a four-panel pottery-making storyboard for shot order and approximate composition. Read it left to right, top to bottom. Do not use the storyboard's line-art style, text labels, or placeholder characters.
@Image 2 defines <Ceramic Artist>'s face, short hair, and dark gray apron.
@Image 3 defines <Blue-Glazed Cup>'s proportions, glaze color, and curved handle.
Shot 1: a wide shot establishes a quiet pottery studio with <Ceramic Artist> seated at the wheel.
Shot 2: a side medium shot shows both hands shaping the rotating clay as the cup body takes form.
Shot 3: a close-up shows fingers refining the rim and handle joint.
Shot 4: a medium close-up shows the fired <Blue-Glazed Cup> placed on a wooden shelf as <Ceramic Artist> withdraws both hands.
Use a realistic documentary look. Retain the wheel's rotation, wet-clay friction, and studio ambience.
@Video 1 is a coarse blockout reference. It provides only the character's walking path, cart direction, locked-off camera, one push-in, and two cuts. Do not use its gray geometry or empty scene.
The tall cylinder in @Video 1 corresponds to <Guide>.
The rectangular block in @Video 1 corresponds to <Mobile Display Cart>.
@Image 1 defines <Guide>'s face, blue uniform, and name badge.
@Image 2 defines <Mobile Display Cart>'s white metal frame and clear cover.
@Image 3 defines the gallery's curved walls, gray floor, and overhead strip lights.
<Guide> pushes <Mobile Display Cart> along the curved wall, stops in front of the central display, and opens the clear cover.
Keep the walking path, subject blocking, push-in direction, and cut points from @Video 1.
Use a bright, realistic museum-documentary style. Retain footsteps, wheel sounds, and gallery ambience.
@Video 1 is a fine blockout reference. Preserve the kinetic sculpture's complete structure, three-ring rotation relationship, pedestal position, orbiting camera movement, and cuts. Do not use its original gray materials or empty background.
@Image 1 defines the outer ring's brushed-brass material.
@Image 2 defines the inner blades' translucent blue-glass material.
@Image 3 defines a contemporary gallery with white curved walls, a dark gray floor, and soft overhead lighting.
Re-render the ring structure from @Video 1 as a kinetic sculpture in brass and blue glass, and re-render the scene as a contemporary art gallery.
Keep the structure, rotation rhythm, orbiting camera movement, and cuts from @Video 1. Retain the low mechanical rotation sound and quiet interior ambience.
The overall emotion shifts from <starting emotion> to <ending emotion>.
After <triggering event>, <subject> first shows <immediate observable reaction>.
Then, <eyes, brows, mouth, breathing, gaze, or hand movement> gradually <changes>.
Finally, <subject> expresses <target emotion> through <restrained or explicit outward behavior>.
